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About the Phrase ITS THE LAW!

GastonGaston Posts: 27Enrolled, 2.0 PRO
Hi Ken, hope you are well
basically I like to know everybody´s approach, so i look for interviews of how every singer approaches their singing, even Opera Singers, Im not trying to become an Opera singer thoug,h but still im a fan of doing that
I found Opera Singer Alfredo Krauss talks about placement, and he says that the " E " vowel (spanish "I") is where the biggest resonance is found, and the placement is found there and we HAVE to bring the AH UP there which is higher than just saying AH cause it brings more chest to the sound by itself because of the AH placement

so first question is if you think this is correct and second, is this why you coin the Phrase "ITS the law Ah " which brings the " E "

just found the interview translated to English hope this helps


Why do we say voice in the "mask"? We say so because a very intelligent person discovered that there is one sound that is naturally placed in the facial amplifiers, it is the Latin sounding vowel "'i" (as in igloo). It is also the least tiring vowel to sing on.  When we say "i" the sound is already there, forward, and correctly placed in the mask, when we say "e" (as in excellent) we notice that in respect to the "i" it is further back, as for the "a'" (as in arrive) we may as well wave good-bye, for the sound sinks completely into the throat. However when we talk we can mostly get away with this, even if many people end up having to go to specialist voice doctors (phoniatritians) because they speak badly. If we could manage to put all the sounds in the position of the "i” simply while talking, there would be no work for these doctors". The "i" vowel opens the throat  "There is a real obsession in most schools of singing: that of darkening the voice. But why should I darken my voice if it is naturally clear? It is nature who decides if a voice is clear and bright or dark and rich, we cannot make it become so by artificial colouring. Many of my colleagues,  (even famous ones), when they come to a latin "i" tend to sing a French "u", or when they come to a latin "c" they pronounce it "ö" (as in earth), instead of a" they say "c". This is all mistaken. It is wrong to think that this darkening of the sound helps technique and rests the voice: this method sends the voice backwards into the throat, making it lose colour and sonority. Up until a short time ago all that I am saying was mere theory (put to practical use by those singers who have a correct technique, unfortunately they are hard to come by). Now thanks to new studies, and to a video made by professor Tapia of the Santandér University in Spain, we are able to actually see the movements of the vocal chords and the surrounding area during the emission of the voice.  The revelations are amazing. It can be clearly seen that the vowel that most widens the cavities (the famous "open throat") is the "i" the weakest vowel. They have also measured the sound frequencies, and the results show that the "i" has the largest number of frequencies.


How can we explain this? Simple: the "i" may seem small but it has the right resonance, it is sustained in the natural amplifiers and therefore has a larger number of frequencies, you can hear it better. Volume doesn't count. The sound must vibrate correctly and carry well arriving to every listener in an auditorium.  As you can see studying singing simply becomes a matter of placing the voice in the natural position of the "i". That is all. Seems easy, doesn't it ? I am no genius, neither am I a freak: if I am able to do it so is anyone else. The problem is that very few people have talked about this until now. It has become a technique in disuse. When I debuted at the Rome Opera a Spanish friend of mine presented me to Giacomo Lauri Volpi. Lauri Volpi himself accompanied me at the piano "as I sang "Questa o quella" and "La donna è mobile". He exclaimed straight away: This is the right technique.  These days nobody sings like this anymore". He also told me to be careful in my choice of repertory, because if I kept to my correct repertory I would be able to continue singing for a long time. Lauri Volpi knew what he was talking about!


here is the interview


  • GastonGaston Posts: 27Enrolled, 2.0 PRO
  • LynettejLynettej Posts: 6Administrator
    Hi Gaston,

    In classical music, when all the vowels are very dark and covered, I (like Igloo) is a small transformation from the "ah" vowel in fact it's pronounced more like "bed" if you listen closely to the transition in appoggio from "ah to "eh". In Latin, there is no such thing as the "I" in Igloo sound. ( speaking Spanish know this better than most). With that said, this article is not correct on the way you understand it. Igloo is an extremely hard word to sing up high and should best be pronounced Eggloo. ( as in egg).  Listen to the newest video I just posted of Gabriela singing Adele's Skyfall. You will clearly hear her default on words like "will" "live" "well" and "lev". Listen to how big and non strained these vowels sound. Interestingly enough, when we worked up this song originally, and she tried to sing live and will, she could not get past the transition without cracking.  I hope this helps. clear this up for you.
  • GastonGaston Posts: 27Enrolled, 2.0 PRO
    Thanks LynetteJ, i understand that, by the way the video is awesome, great performance of Gabriela, what i meant by asking this is, when we simply say ¨EEEEEEE¨  feels higher in placement than AaaaaaH, is it correct tu put the AH (and still AS OPEN AS IT CAN BE) where the EEEEE is felt in resonance? that i think would be the way i should have asked it, is just when I put the AH where the EE is felt it thins out and makes it easier to transition to higher places, with this said, still Vowel Mods im totally councious of NOT ever sing an EEE  that high cause its really difficult, just wanted to know if its correct to place the AH higher, hope i explained myself this time

    thanks for answering
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