Friend likes 'joke' voice better than 'trying' voice
Kanis999
2.0 PRO Posts: 16
A friend I've know my whole life and been in bands with is quite accustomed to hearing me try to sing. I've been doing KTVA exercises for about 6 months now, which I know is nowhere near enough time to get real benefit from it, but that is relevant background information.
He doesn't come out and say it directly but I think he doesn't like the sound of when I try to use the techniques I've been learning. He implies it sounds forced, shaky, and weak. I honestly tend to agree. But when I sing in a ridiculous joking way, he says it sounds way better. This joking method of singing though is pretty much objectively bad technique, a sort of shouting and gruff yell similar to how early James Hetfield sounds. I do actually love that tone btw, I just know its the antithesis of most of what Ken teaches.
I think the reason he likes the bad technique is mostly psychological. If I'm 'joking', I'm stepping into a character. Any judgment of that character's sound doesn't reflect on the 'real' me, so I'm able to sing with no self consciousness. When I'm singing in this manner I'm also expecting it to sound bad, because its a joke, so there's basically no inhibition. It sounds confident because I don't give a crap.
This friend of mine and I are in a band and we've got to decide how to carry forward. Obviously I'm going to keep doing the course and believe everything Ken has to say, but how do I rectify the discrepancy between what I would call 'try-hard' singing, and 'idgaf' singing? Just keep try-harding until the voice grows enough for that to sound good?
He doesn't come out and say it directly but I think he doesn't like the sound of when I try to use the techniques I've been learning. He implies it sounds forced, shaky, and weak. I honestly tend to agree. But when I sing in a ridiculous joking way, he says it sounds way better. This joking method of singing though is pretty much objectively bad technique, a sort of shouting and gruff yell similar to how early James Hetfield sounds. I do actually love that tone btw, I just know its the antithesis of most of what Ken teaches.
I think the reason he likes the bad technique is mostly psychological. If I'm 'joking', I'm stepping into a character. Any judgment of that character's sound doesn't reflect on the 'real' me, so I'm able to sing with no self consciousness. When I'm singing in this manner I'm also expecting it to sound bad, because its a joke, so there's basically no inhibition. It sounds confident because I don't give a crap.
This friend of mine and I are in a band and we've got to decide how to carry forward. Obviously I'm going to keep doing the course and believe everything Ken has to say, but how do I rectify the discrepancy between what I would call 'try-hard' singing, and 'idgaf' singing? Just keep try-harding until the voice grows enough for that to sound good?
Comments
Anything new by design doesn't feel comfortable. Imagine first learning to speak or walk or read. We take these things for granted now but when we first started them they felt uncomfortable, but as we did them more we gradually became comfortable doing them. So it is with this. We are replacing a known thing with new unknown thing. It is very tempting to bring the comfort of the old ways with us, but we are trying to get rid of the old ways for a reason. It is often good to revisit the reasons we are transitioning so as to remind ourselves why we are doing what we are doing, and put us back on track if we have strayed.
Ultimately you have to decide what the right thing to do is and only you can make that decision. Best of luck for you.
Hopefully what I have said can bring some clarity
But, yes patience. That was what I was alluding to in my post. Gratification now or reward later.
http://forum.kentamplinvocalacademy.com/discussion/7340/6-month-mark-experience/p1?new=1