Hi Ken, I have a question about your formative years as a singer.
I read your quick Bio about the teachers with whom you studied. I did a little research into their methodologies and each one of them (I think) taught early bridging.
How did you discover late bridging and that being the key to a gold standard voice? Was it just a matter of listening to the singers that inspired you and working out what they were doing eg... Lou Gramm/Dio/Paul Rogers and had an epiphany?