Hey I'm Paige:)
SingingPurpleZebra
Member Posts: 17
Hey guys! Thought I'd jump In here nd say hi:). Since I know you guys won't judge because y'all are in the same situation as me, I thot I'd share a link to a cover I posted on YouTube. It's unlisted so u can only see it with the link: http://youtube.com/watch?feature=plpp&v=NUWrtYpcn5I
Please Comment here on critiques(only positive comments on YouTube please:)) thanks so much u guys!!:)<3
There's also my newest cover of "I Won't Let Go" by rascal Flatts here- http://www.youtube.com/watch?v=D8waAPyYsGk&feature=youtube_gdata_player
thanks for ur feed bak!!
Please Comment here on critiques(only positive comments on YouTube please:)) thanks so much u guys!!:)<3
There's also my newest cover of "I Won't Let Go" by rascal Flatts here- http://www.youtube.com/watch?v=D8waAPyYsGk&feature=youtube_gdata_player
thanks for ur feed bak!!
Comments
Hey, Paige!
You have a nice sound to your voice. It's brave of you to post an acapella tune, however I would like for you to maybe sing along to a music track if you could do that. There were a couple of places where the end of the vocal line sounded like the pitch may have drifted. Not badly, but I think if you had the backing tracks playing for a reference, you would have been right on the money.
I did have to listen to the original version to catch the drift of the vocal line, but you are doing a good job of hitting those intervals.
It's nice to have you posting here. Let's hear some more, maybe with some instruments or backing tracks behind your voice.
Welcome to the KTVA forums!
Bob
yes I agree the melody sounds weird if youre not familiar with the song.. I plan on posting one with a track backing me up but with original tracks I tend not to be as focused on hitting the notes correctly as I would with a karaoke just because I get destracted by the vocals:/ so working around that isn't easy since not all songs have an instrumental version.... Any suggestions for that problem? I could do the chords on piano but that's all- just chords- I can't do much else on piano- plus I won't be as focused on my singing.... What do u think?
Great work. I like the tone of your voice, and I think you have great potential. This course will definitely grow your voice. You are off to a good start. All the best.
Paige,
I'm a chords only keyboardist. I'm actually a drummer who can play some guitar, bass, keyboards, and sing. I basically have learned just enough keyboard to be able to work up vocal songs and keep myself on key. It's also handy to know what notes my voice transitions on, what my highest/lowest notes are vocally, where I modify vowels, and such as that. So accompanying yourself on a piano would be better than no reference at all. You could record yourself playing the chords and make a CD of that. Then play the CD and sing along like you did on your acapella and record the combination of your CD piano with your live singing. That way you won't be distracted by trying to play and sing at the same time.
Getting ahold of a few karaoke tracks of some favorite songs would be useful for posting demos.
If you invest in the KTVA training packages, there are some bundles you can get that include the SHOUT! KTVA live application program. That one has Ken Tamplin showing you some information about employing KTVA practices on songs.
The SHOUT! program is really intended for students who have already made it through all three stages of the Ken Tamplin Vocal Academy training. It includes about 30 tracks where one time through it's Ken or a Diva singing the song and then the next time through it's a music track that you can karaoke along with. I've posted me singing a couple of songs from this package, one by Bad Company, and another song by David Gates of Bread. The SHOUT! package gives you a lot of options to test your vocal abilities on, along with pointers from Ken Tamplin. You could then practice on these tunes to your heart's content.
Anyway, I hope you will post more demos, and also hope you will be able to do all of the KTVA training programs. They will take your voice, which is already very good, and rocket it to places you haven't even dreamed of yet! You really need a solid foundation to protect your voice from harm and develop to your full potential!
Bob
Yes all the courses and training packages sound fantastic and I'm working on getting them; but me being a junior in high school, focused on my academics, and with no incoming money is forcing me to push my vocal lessons off to the side. But with me doing choir an musical theatre, I'm hoping to at least get enough training to know how to sing without hurting my voice..... Speaking of am I doing anything wrong according to the video? Anything that might injure my voice?
Be careful with the Musical Theater... Singing loudly is kind of a prerequisite for musical theater, but loud singing can injure your vocal cords unless you know how to protect them. There are techniques and exercises that can help to preserve your voice, but a few paragraphs are insufficient to cover them.
The choir singing is probably much less likely to get your voice into any trouble.
This article may help to explain more of what I'm talking about.
http://kentamplinvocalacademy.com/2012/08/belting-by-ken-tamplin/
Bob
And yes thank you it's one of my nervous habits is swaying back and forth it's what I do to try to "catch the note" if you get what I'm saying.. Thanks for the pointers and encouragement. I REALY appreciate it!!
Please feel free to comment!! Thanks SO much for all your support and help!!!:)
Hi again Paige,
You sing with a lot of feeling and emotion in your voice and I really like that.
I really hope that Ken gets to see your two videos here and gives you some feedback/advice.
Or maybe you could email him a link to them for a free evaluation of exactly where you're at and what you need to work on most.
In the meantime, keep singing; experiment with and without backing tracks, and with your piano. Don't worry that you are only playing chords, as often the simplist arrangements are the most effective and it gets easier to do the more you do it.
Also work with the original tracks the way Ken does line by line with Gyu and Sara when they are working up and fine tuning songs. Remember every part and note of the song is important; some singers get the chorus right and then don't really spend the time working to really nail the verses and bridges etc. so the overall effect is less impressive.
Finally, sorry to hear of your Dads diagnoses; I really hope things work out okay. Stay strong and keep singing Paige!!
All the best, Gary
Thanks to all of you that commented for all ur support and feedback:) you all are a really great group of ppl that know how properly critique and encourage your students so Thank you for all u do!:)
God bless:)
Paige,
Just a few comments on your second demo. Good job. Thank you for doing another demo, this time with the backing tracks up in the mix, while keeping your voice strong as well. It gives a better context to evaluate your voice.
As Gary said, you give a heartfelt, genuine performance and that goes a long way. I would encourage you to possibly brighten up your tone. That will help you to discern pitch with more accuracy. On some of your lowest notes your pitch is sometimes slightly drifty. Most of the time, though, you are right on, and you put a lot of feeling into your delivery, which I like a lot.
Thanks for posting!
Bob
Paige,
We can vary our vocal tone by things we do to shape our mouth and vocal tract. You can darken your tone or brighten your tone. Darkening would be to emphasize more low or "bassy" sounding tone. Brightening would be more emphasis on more "treble" sound, or more high-frequency.
We can darken our tone by having a more closed mouth or by extending our lips or lowering our larynx.
We can brighten our tone by opening our mouth and jaw more, baring our teeth and smiling, and directing our sound forward and against the hard surfaces of the mouth. You can raise your larynx, but this can be dangerous and must be done very cautiously.
Just sing a continuous note and vary the shape of your mouth and direct your sound to different areas, while listening to what is happening to the tone. You will find that you can make the sound brighter, darker, or a combination of both. It's like having a tone control on your voice.
When you use a very bright tone, pitch is easier to discern. When your pitch is right on the money, everything works better. You can then hear your own voice within your head with better clarity, and your voice stands out in a mix of music better.
Bob
Gary,
I would agree that the lower sections need more support, but I also believe that the sparkle in Paige's voice in her mids and highs would benefit her lower range notes, as well. Her power band is presently in the mids and upper mids.
It's kind of counter-intuitive to say that the low end needs to be brightened, but in fact brightening the low part of one's range can really clean up your vocals. I'm one who can benefit from this as much as anybody else. I heard a live recording of myself the other day and I'm critiqueing myself, going "you need to brighten it up!" to myself! Physician, heal thyself! I also find myself realizing that there is a lot of benefit in maintaining constant support... We all have a tendency to support the high notes and then get lazy on the lows! It's a common habit, but one that really improves our voices when we break it!
Bob
wow this has all helped so much!! i'll have to refer back to this when i start prectising my first assignment for show chior- i'm supposed to learn the 3 part harmony for the song "popular" in the bradway show wicked. when i try this out i'll reply back and let u know if i have any questions or i'll upload a video for some more feed back:). thank you SO much.. again!! hahaha:) i've never had this kind of support and helpfull feedback before and i'm VERY gratefull for you guys!when i get the chance i'll lookinto more of what you guys are referring too and get back to you... thank you again!:) all the best!:)
Paige
sorry- a lot of questions- i love learning about this, its all so interesting! ive never really gone in depth in the different techniques ya know?
Paige,
Sometimes we tend to only bolster our support when going up high. The truth is that we need solid support ALL OF THE TIME, and it really shows as soon as we lax off. Even though we must add additional support when going higher, and relax the super-support when we land in our lows, we STILL NEED SUPPORT there. The job isn't done until we stop singing. Although you may brighten the tone, without sufficient support, your lows may become undefined and possibly pitchy.
Bob
I believe the solution for "go" is support. With increased strength from the diaprhagm, you won't have to rely on tensing the throat for the note. Let the strength for the note come from down low when you go high. With sufficient abdominal support, the throat can be more relaxed and take it easier while the diaprhagmatic support engine does all the revving.
A bit of vowel modification might ease the note, but this is the key word for the whole song, and any mod there would have to be very subtle.
Paige, I think it's great that you dedicated this song to your Dad. Our prayers go out for him.
Bob
hahaha yes i try to be as far out there as i can so i try not to play things safe but from past experiences, i've learned its okay to pull back a little hahah
thanks so much Gary!!
yes the support factor makes so much sense
yes of course that makes sense
thank you so much, Bob!!
thank you to all who has helped me improve this song! i performed this song in front of my high school during chapel after worship (i go to a christian school), and i had a few hic-ups with remembering the right places to take a breath but over all, it was really good and i owe it to you guys who's helped me improve it 150% better!!! thanks for everything and i hope to post another soon- God bless!:)