Singer (not) in a rock and roll band
Doug_Latimer
Member Posts: 17
Hello all
I'm a latecomer to singing publicly. About five years ago, I felt it was time to poop or get off the pot, so to say, and had been hearing a spot on my local (Madison WI) community station for "live band karaoke" with the Gomers - great musicians who've been around for over thirty years.
I went, attempted R.E.M.'s "Driver 8", which was sadly appropriate as a train song, 'cause it was a wreck. But I persevered, and was a regular till the shows ended year before last. The performances were uneven, to be kind, but appreciated in the main by the audience, who I felt could see I really cared about connecting with them and communicating the emotion of the song.
Since then, I've been trying to scare up some folks who share my musical tastes via craigslist, and although there've been numerous nibbles, nothing has come to fruition. So I'm consigned to creating barest of bones audio files, and posting the R.E.M. work (my favorite artists, if you haven't sussed that) to a fan group, garnering a few "Likes" and "Loves". Obviously, it doesn't compare to live performance, but there it is.
Sorry to be so long winded. If you're interested, I post the files here
https://solastcentury.wordpress.com
At present, there are over 200. Some are better than others; all could do with a re-do, which I frequently do ... um, do.
You'll notice a distinct strain in my voice. I have sinus issues and possible LPR (silent reflux), which can wreak havoc with my vocal cords, as well as a damnable tendency to try to control when recording, but I think they're fairly on pitch, and won't injure your delicate ears too badly. -g-
Any honest and constructive analysis is welcome.
I'm a latecomer to singing publicly. About five years ago, I felt it was time to poop or get off the pot, so to say, and had been hearing a spot on my local (Madison WI) community station for "live band karaoke" with the Gomers - great musicians who've been around for over thirty years.
I went, attempted R.E.M.'s "Driver 8", which was sadly appropriate as a train song, 'cause it was a wreck. But I persevered, and was a regular till the shows ended year before last. The performances were uneven, to be kind, but appreciated in the main by the audience, who I felt could see I really cared about connecting with them and communicating the emotion of the song.
Since then, I've been trying to scare up some folks who share my musical tastes via craigslist, and although there've been numerous nibbles, nothing has come to fruition. So I'm consigned to creating barest of bones audio files, and posting the R.E.M. work (my favorite artists, if you haven't sussed that) to a fan group, garnering a few "Likes" and "Loves". Obviously, it doesn't compare to live performance, but there it is.
Sorry to be so long winded. If you're interested, I post the files here
https://solastcentury.wordpress.com
At present, there are over 200. Some are better than others; all could do with a re-do, which I frequently do ... um, do.
You'll notice a distinct strain in my voice. I have sinus issues and possible LPR (silent reflux), which can wreak havoc with my vocal cords, as well as a damnable tendency to try to control when recording, but I think they're fairly on pitch, and won't injure your delicate ears too badly. -g-
Any honest and constructive analysis is welcome.
Comments
On your songs, make sure you nail that first note right out of the gate. You tend to slide up to some of your opening lines. First impressions are very lasting. Nailing pitch has a lot to do with breath support and having your voice ready for accuracy and precision.
You have good taste in music.
Possibly what you're hearing is a lack of confidence in what's gonna come out of my mouth, especially if it's out of my comfort range right off the bat. I'm still working on the zen thing - the journey, not the destination - but it don't come easy after decades of American male programming.
I like to think I have some discernment in my musical affinities, although if a song's just a hoot to sing, taste may take a back seat (see "Our Lips Are Sealed" -- not stinky exactly, but compared to "In Your Eyes", well ... ). I'd like to add some old school soul to my repertoire - Marvin Gaye, Al Green et alia - but those folks were so amazing at the "atmospherics" that I just don't think I'd do them justice.
Thanks for the feedback. Here's probably my best turn on stage
https://drive.google.com/file/d/0B0keMxxSGW3GTVhBdzNiYlAtcUE/view
I guess we're done here ...
Okay then ... what would you suggest would be a rational road to trod here? As you know, I'm pumping out these files - 230 at present - none of which I'm truly satisfied with.
Should I ask for constructive critique? Advice on particular passages that are vexing me no end (See "near wild hea-ven" in ... um ... "Near Wild Heaven")?
Lead on, MacDuff
You're doing good songs. Your voice is a bit inconsistent through the songs. Some notes a little below pitch, some running low on air, or the air consistency being uneven. These are things that we train on without the added baggage of lyrics or song-singing, to get consistency in the tone, pitch, and sustain of one vowel at a time. Only after getting those basic foundational blocks in place do we try to dissect songs that consist of a myriad of these techniques, happening constantly, rapid-fire, one after the other.
We start with training on the AH vowel and work on a number of benchmarks, then add more vowels, one at a time. This is kind of a lab-conditions way to ensure the basic voice has a firm footing, before adding the varibles of song-singing to apply the techniques and foundational principles to.
Unfortunately, I can't afford lessons at this time. I'm also a little leery of the investment due to my experience with a couple of voice teachers, spending hundreds of dollars for pretty much bupkes. I felt I was diligent in practicing what they preached, but my ignorance combined with their possible arrogance in what they saw as "the way" conspired to cost me money, time and confidence.
So, that being the case, what can I do here that would be of benefit to me?
It's the best money I ever spent on myself. Years later, my voice is still growing. It takes time to grow the voice. It won't grow without using the proper methods.
The majority of the forums is students-only and there we go over all of the aspects of the KTVA course. Most of the public area is more broad and general vocal-related fun, and there are demo areas where people post their songs. We can get into some details on technique, but the real nitty-gritty nuts and bolts of HOW is part of what the KTVA method is all about, and involves application of the techniques taught in the course.
What you can see here is that there are a LOT of very happy vocalists that are all on personal journeys to grow and improve their voices, and they all realize that this takes considerable time and application of the correct methods of singing. We also have lots of people here trying to see if this is just another bogus singing scam, which it is not. That should be evident by what you see in the areas of the forum that are accessible. People helping one another master some very involved information and methods.
Everything we talk about here is in accordance with what Ken teaches. If someone comes here and starts trying to promote or defend other methodologies, that's fine, but not here.
My big regret is that I wasted that year that I knew Ken was the real thing, but I procrastinated. And I'm no procrastinator. But I AM thrifty, to a fault. I'm so glad I finally got past that. I've improved so much, it's not even funny.
You're very welcome to be here. Join in the conversations that you can access. Be a part of our gang here. You're a singer. This is the place to be!
Bob
Much obliged, Bob
I tried one online program whose member forum was pretty much moribund, at least during my short time there, and the material itself didn't resonate with me, either. Luckily, there was a money back guarantee, of which I availed myself.
I'll poke around here and see what's doing.