Leaving the KTVA Forum
ContraltoLivesMatter
Member Posts: 124
Hey Guy's,
Thanx for being So kind with me here at the KTVA - Forum page. I am Leaving the forum, my voice is just no good. I'm always slightly under pitch even when singing against an Eb Tuned Guitar. I know that working at singing can make it happen, I just realize I'd rather just play my guitar to it's fullest, and get a singer if I need one to work with.
Enjoy singing, and I wish you all the best
Caroline
Thanx for being So kind with me here at the KTVA - Forum page. I am Leaving the forum, my voice is just no good. I'm always slightly under pitch even when singing against an Eb Tuned Guitar. I know that working at singing can make it happen, I just realize I'd rather just play my guitar to it's fullest, and get a singer if I need one to work with.
Enjoy singing, and I wish you all the best
Caroline
Comments
Peace, Tony
For example, my basic vocalist timeline was something like this:
0-6 months:
My bassist regularly brought in singers to "allow me to focus on guitar" (read that as a veiled 'please stop' from him)
7-12 months:
Visiting singers stopped being brought to our rehearsals, able to sing for 2 + hours without fatigue
13-18 months:
Perform without stage fright, confident and focusing on nuances and style
I too am primarily a guitarist, and I know that there are many techniques out there that will require somewhere around 100,000 reps to ingrain them into my muscle fibers. (i.e. Yngwie, Eric Johnson, Paul Gilbert type stuff) So I work on those phrase by phrase till each is ingrained, then I move to the next phrase... rinse and repeat until done.
Singing difficult songs or song passages are no different, and should be approached in the same methodical manner.
Just my $0.02
Cheers,
Phillip
Do you mean that certain keys are more difficult?
If so, I typically drop the song a step or so and sing it gently till I fully understand it. After that phase I start to lean into it more, and eventually start raising the pitch till its to original, or flat like Hendrix tuning (which is where my guitars stay anyway.
But when there are those inevitable tricky phrases, I tend to spend allot of times on those to get down the timing, inflection, pitch or what have you.
The further you go, it seems the less time it takes to ingrain new things...
I don’t really worry about keys anymore, unless it puts me in an extended sojourn into the mid-higher 5th octave... that is still pretty tiring for me, but I know it’ll get better in time 👍🏻
not hitting the right pitch has nothing to do with a good or bad voice (whatever that means). A good vocal technique will help you with continuouse pitch - but:
In my opinion a trained ear and the transmission from the ear to the voice is the key here. Hitting the right pitch is not that much dependent on what you do with the diaphram. The pitch is "created" in the vocal folds - but you can't change that manually!
The solution: Develloping a more precise idea of the pitch you want to produce, guides your Body to the right transmission. "A precise idea" means recognicing and understanding the Note and it's environment (in equal temperament, different environments produce actually different pitches of the same Note).
Develloping your vocal technique will affect that transmission definitely. But I'm sure some precise exercises for your tonal perception might help you
Hope you're still reading this.
Chris
Thanks for your advice, all info is helpful 😊
Tons of stuff. Enough to keep you busy working on your voice for years to come.